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Agencies & Procurement
For Event Agencies and Procurement
If you’re responsible for an event on a client’s behalf, you don’t need a DJ who plays a great set. You need one who doesn’t create extra work for you.

Starting point
Your risk isn’t the music.
It’s the interface.
In an event production, the DJ is rarely the biggest work stream — but is often the one that generates the most follow-up questions.
Who needs power and when, how much floor space, when does he deliver equipment, does he provide the microphone for the welcome address, does he liaise with the lighting company, does he stay on schedule — these are the points that eat up time during the production phase. That’s why every answer is already available here, before you have to ask.
The same holds for corporate clients: whoever is internally responsible for an event needs paperwork that procurement and legal can wave through without a single follow-up question.
Documentation
What’s ready on request
Usually within one business day, and on request sent straight to the venue, the technical crew, or procurement.
- Technical rider
- Space requirements, power needs, connection points, weights, set-up and teardown times
- Running order & cue list
- Matched to your script, including cues and applause beds
- Insurance
- Proof of public liability insurance
- Technical safety
- Proof of electrical safety for the equipment used
- Contract paperwork
- Terms & conditions, order confirmation, NDA on request
- Billing
- Invoice with cost centre, purchase order number and service period
- Availability
- A direct point of contact — no go-between
Working together
How the production phase runs
- Inquiry & availabilityA response within 24 hours — even when you only need the date for a pitch and can’t confirm the booking yet.
- A quote for your calculationBroken down by line item, so you can drop it straight into your client calculation without converting anything.
- Technical coordinationRider, power, floor space and timings go directly to the venue and the technical crew. Happy to join the production meeting if useful.
- Rehearsal & soundcheckAvailable for the technical rehearsal and dress rehearsal on request. The cue list is run through with direction and hosting.
- Event daySet-up within the agreed window, coordination with your other crews, execution against the running order — and the flexibility to handle a programme that slips by ten minutes.
- After the eventPrompt teardown, an invoice per your specifications, and on request a short debrief on anything worth flagging from the evening.
Formats
Typical agency bookings
- Award nights and prize ceremonies with a run-of-show
- Product launches and press conferences with a reveal moment
- Client and dealer events
- Trade-show booth parties and after-show events
- Kick-off and sales events
- Multi-day incentive trips with changing venues
- Anniversaries with day and evening programmes
- Roadshows running the same concept across several locations
Also available as part of a bigger music concept — for example a DJ plus saxophonist, or a DJ following on from a live act.
Questions
Frequently asked questions from agencies
Is a technical rider available?
Do you work from a run-of-show and cue list?
Can DJonas be booked as a subcontractor?
Can you stay neutral in front of the end client?
What documentation can be supplied at short notice?
What’s the fallback if something goes wrong?
Impression
What an evening looks like
A few unedited moments from real nights – sound stays off until you press play.
Kontakt
Request a technical rider or quote.
Tell me the date, location and event type. You’ll get an honest answer on availability and a quote built around your event — no obligation.
